Jinguashih and Jiufen were once the biggest gold mining towns in Taiwan. After the decline of the gold mining industry, the miners turned to tourism industry to make their living. Col- lectors and amateur artists started to come and live at this place and the community gra- dually grew. Yu Liu explores the two towns and meets the inhabitants that have their unique approaches and aesthetic ideas towards “natural objects.” Their collections and creations are delicately intertwined with the local gold rush history and geographical environment. This obsession with “objects” seems to indicate a haunting spirit of the gold mine.Liu Yu