EP – Les Sentiers 2022
Atsushi Wada

BIRD IN THE PENINSULA

Japan, France / 2022 / Colour / 16’

Atsushi Wada
A little boy launches a machine that seems like a giant version of himself. The same little boy tries and fails to learn a kabuki choreography. A little girl spies on them. A dog sniffs at the air. A bird appears. The boy plays with the dog… Based on a few simple elements gradually introduced, Atsushi Wada organizes a circulation of leitmotivs that mingle, complement each other, produce new combinations. The editing starts with a detail to then reveal, as the frame widens, what elements have been reconfigured. Gradually, a merry-go- round emerges, of sexual motifs and the terrors of their birth. (Nathan Letoré)

Technical sheet

Original version : No Dialogue
Script : Atsushi Wada
Photography : Atsushi Wada
Editing : Atsushi Wada
Music : Mio Adachi
Sound : Masuma Takino
Production : Nobuaki Doi (New Deer), Emmanuel-Alain Raynal & Pierre Baussaron (Miyu Productions)
Distribution : Luce Grosjean (Miyu Distribution).
Selective Filmography : My exercise, 2022
My Marsh, 2017
Autumn from Antonio Vivaldi ‘The Four Seasons’, 2017
Anomalies, 2013
The Great Rabbit, 2011.

INTERVIEW WITH THE DIRECTOR

Director

Atsushi Wada - Japan

EP – Les Sentiers

Synopsis

Atsushi Wada A little boy launches a machine that seems like a giant version of himself. The same little boy tries and fails to learn a kabuki choreography. A little girl spies on them. A dog sniffs...

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