FIDLab 2022 Palmares

The Air France prize goes to :

THE CHRISTMAS CARD
by Lucy Kerr, produced by Insufficient Funds, NSF / United States

The laureate will receive 1 long-haul flight ticket from Air France.

The Casa de Velázquez / ECAM prize goes to :

NEVERLAND
by Isabel Pagliai, produced by 5A7 Films / France

La Casa de Velázquez, a center for artistic creation and research based in Madrid, will offer a two-month residency to the award-winning director. ECAM, the School of Cinematography and Audiovisual of the Community of Madrid, will make its post-production equipment available to the winner as part of its OPEN ECAM program.

The Commune Image prize goes to :

FOLLOWING THE SOUND
by Kyoshi Sugita, produced by Longride / Japan

This prize is offered by Commune Image, a cinematographic pole offering post-production services, among others. This prize consists of 8 weeks of editing for a project.

The Culori prize goes to :

ECHO
by Joshua Bonnetta, produced by Acephale Inc / Canada

This new award endowed by Culori to an european project, post-production laboratory, will offer a residence in South Corsica for a maximum of 15 days, to carry out color grading work on a 4K monitor with (or without) dedicated technician

The Camargo Foundation prize goes to :

SE VAN SUS NAVES
by Óscar Vincentelli, produced by Lejos Lejos / Spain – Sumendi / Spain

The Camargo Foundation, which offers residencies in Cassis for international artists, scholars and thinkers, based in Cassis, will welcome the awarded director for 4 to 8 weeks.

The Kodak-Silverway prize goes to :

ALL THE RENAULTS IN THE WORLD
by Declan Clarke

This prize includes celluloid reels offered by Kodak, and development services from Silverway Paris, to be awarded to a European project.

The Mactari prize goes to :

FLEUR DE BAMBOU
by Kiyé Simon Luang, produced by Shellac Sud / France

This prize will be provided by the sound post-production studio MACTARI to a project produced or coproduced by an european company. This prize worth € 15,000 includes the provision of a mixing auditorium and / or a sound editing room, without a technician.

The Micro Climat Studios prize goes to :

MMXX
by Cristi Puiu, produced by Mandragora / Romania

Prize awarded by the post-production company Micro Climat, which will offer post-production services (image editing, sound editing, calibration, conformation, to be chosen by the laureate) to a project produced or coproduced by an european company.

The Providenza prize goes to :

THE NIGHT CAME ABOUT
by Mira Adoumier, produced by Muyi Film / The Netherlands

This new award offers a writing residency for a month in Corsica on the Providenza field in the presence of international artists in residence or workshops (artists, philosophers, musicians, filmmakers, writers).

The Sublimages prize goes to :

AS ESTAÇÕES
by Maureen Fazendeiro, produced by Norte Productions / France – O Som e a Fúria / Portugal

The subtitling company Sublimages endows the prize winning project with the translation of subtitles into English, French or Spanish, as well as their adaptation and localization

The Vidéo de Poche prize goes to :

I LOOK LIKE MY MOTHER
by Amina Maher, produced by Schuldenberg Films / Germany – Rmad / Germany

Color grading (7 days of studio without technician) and creation of DCP. Special rates for the creation of DCP to all the selected projects.

The Doc Alliance prize goes to :

AS ESTAÇÕES
by Maureen Fazendeiro, produced by Norte Productions / France – O Som e a Fúria / Portugal

An in-kind package of distribution worth €5000 will be awarded to the project of a first or second time filmmaker. Covers a full release on DAFilms (including Americas, Europe, Asia), the VOD platform of Doc Alliance, for two years.

The Nebulae/Doc Lisboa prize goes to :

FLEUR DE BAMBOU
by Kiyé Simon Luang, produced by Shellac Sud / France

The industry-oriented project and networking space at Doclisboa will invite a French project to be part of their 2022 selection.